The Ministry of Culture of the District, Catalina Ramirez, confirmed it is awaiting approval and the decree of the Ministry of Social Protection, to realize the project to ensure the health service to artists in the city.
According to Ramirez, his office is leading an ambitious strategy arising from the use of nearly 3 billion pesos to invest in everything that requires the health of that sector of the population.
According to the official, those resources come from Procultura stamp collection and the initiative is being studied to ensure their viability and their respective implementation. "The only requirement for artists today have no affiliation to any social security and can access the current program is to certify that they are enrolled in the Sisben 1, 2 and 3," said Ramirez. The beneficiaries
"The first stage of shelter: the artists who are in the Sisben and other coverings to ensure further progress will depend on the resources they have toward the future he said. That office's preliminary projections estimate that the number of artists benefited in the first part of the strategy can reach about 6,500.
For Catherine Ramirez, the essence of the idea in motion is to solve a vital part of the city's artists, who have enormous needs not only health care but on pensions, since according to their working conditions are rarely protected therein issues by companies that employ them. In his view, what happens to most artists in the city and the country is that throughout their productive life, are very few who have secured their health system and also have large gaps in their pension contributions.
For Germaine Rojas, an actor with enough travel on national television, the idea of the Ministry of Culture Bogotá is worthy of imitation by others, "because it is unfair that many people who have given so much entertainment to the Colombians do not receive attention even when suffering from any complications.
Rojas admitted that themselves are responsible for such artists themselves unprotected because they never demanded respect for their labor needs and that to choose whether to accept the contracts, without social protection and work without pensions or not, they were always first. The actor insisted it was recommended to producers that they correspond to assume those duties, but as they do now to work the artists have to show they had paid their health and pension.
According to Ramirez, his office is leading an ambitious strategy arising from the use of nearly 3 billion pesos to invest in everything that requires the health of that sector of the population.
According to the official, those resources come from Procultura stamp collection and the initiative is being studied to ensure their viability and their respective implementation. "The only requirement for artists today have no affiliation to any social security and can access the current program is to certify that they are enrolled in the Sisben 1, 2 and 3," said Ramirez. The beneficiaries
"The first stage of shelter: the artists who are in the Sisben and other coverings to ensure further progress will depend on the resources they have toward the future he said. That office's preliminary projections estimate that the number of artists benefited in the first part of the strategy can reach about 6,500.
For Catherine Ramirez, the essence of the idea in motion is to solve a vital part of the city's artists, who have enormous needs not only health care but on pensions, since according to their working conditions are rarely protected therein issues by companies that employ them. In his view, what happens to most artists in the city and the country is that throughout their productive life, are very few who have secured their health system and also have large gaps in their pension contributions.
For Germaine Rojas, an actor with enough travel on national television, the idea of the Ministry of Culture Bogotá is worthy of imitation by others, "because it is unfair that many people who have given so much entertainment to the Colombians do not receive attention even when suffering from any complications.
Rojas admitted that themselves are responsible for such artists themselves unprotected because they never demanded respect for their labor needs and that to choose whether to accept the contracts, without social protection and work without pensions or not, they were always first. The actor insisted it was recommended to producers that they correspond to assume those duties, but as they do now to work the artists have to show they had paid their health and pension.
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